Caroline Smith

For the last forty years, Caroline Smith has worked towards her own unique mode of painting. Uninfluenced by current art fads and “movements” her work is a direct link to the earliest roots of artistic expression. The symbols and images that inhabit her vibrant and powerful paintings carry the same message as the earliest cave painting, Greek vase, or Egyptian temple wall. Her ability to handle, colour, two-dimensional form and space in her compositions is a measure of her maturity as a painter. Caroline Smith’s work displays an immaculate and controlled technique that gave emphasis to her impeccable draughtsmanship. Almost impossible to discover how and with what they were painted, the technique was totally subservient to the image. Not a brushstroke to detract from the message. 

In the late sixties and early seventies, Caroline became one of Europe’s leading fashion artists,working for magazines such as Vogue, Harpers, Queen, Elle, and Cosmopolitan. Her fashion illustrations influenced many notable designers and were also used in advertising campaigns for fashion houses such as Mary Quant and Revlon. Her work is now featured in books of fashion history of the latter part of the 20th century some of which are held at the V&A, London. 

Caroline has had many important exhibitions over the years including one-woman shows at the Towner, Eastbourne, Covent Garden, London and “Salome Exposition” at the Chapelle des Benedictines, SW France.

Notable commissions include paintings for the Santa Fe Opera House, USA, three large murals 45 feet by 10 feet, and two glass doors for the Pyramids Hotel, Cairo. A series of twelve large paintings for the Shangri-La Hotel in Hong Kong and a commission for eighteen paintings for the Mandarin Hotel in Singapore.

Exclusively Available Through Beumée

Commissions Available

Salome

These two further paintings from this opulent collection unfold the story of Salome, renowned for her mesmerising dance before King Herod and his esteemed court, which culminated in the chilling acquisition of John the Baptist’s head.

Through her exquisite artistry, Caroline explores the complex themes of longing, dominion, and the often veiled hypocrisy present in religious tales. The rich layers of symbolism enhance the visual narrative, beckoning viewers to immerse themselves in the artwork’s depths. The striking color palette and intricate designs convey a palpable sense of energy and tension, reflecting the profound currents of desire and authority.

Desire – 126cm x 126cm
Presented floating in a bespoke solid wood, graphite finish frame.

Innocence – 126cm x 126cm
Presented floating in a bespoke solid wood, graphite finish frame.

The Icons

These artworks breathe new life into the classic allure of an era, offering a modern perspective on the timeless Glamour Icon

Fused with the captivating allure of gold leaf each portrait, a creative exploration and mastery of the modern icon style, exudes a fusion of vintage charm and contemporary sophistication that presents the subject with a fresh, avant-garde twist. The red beauty spots symbolise various concepts such as vitality, femininity, and individuality. The delicately rendered roses, array of soft-hued flowers together with the subtle play of colour and touches of botanical elements infuse upon the emotion and sensuality of each Icon.

Rosaline, Jasmine & Delphine – Each 68cm x 68cm

Rosaline – 68cm x 68cm

Jasmine – 68cm x 68cm

Delphine – 68cm x 68cm

Red Masquerade

These Three enigmatic portraits capture the original glamour, sophistication and style of the original, iconic ‘BIBA’ of which Caroline Smith herself was appointed and greatly influenced

Shrouded in mysterious allure, striking red masks both conceal and reveal. The contrast of each subject against the delicate backdrop of lush flowers, intricate ferns and flora, capture the very essence of femininity with bold influences of Art Deco. The varying colour palette, from portrait to portrait, reflects each paintings originality. These unique qualities together with the symbolism of each face seamlessly blend modernity with the essence of a bygone Golden Age.

Red Masquerade II – 88cm x 88cm

Red Masquerade I – 88cm x 88cm SOLD

Red Masquerade III – 88cm x 88cm SOLD

The Elizabethan’s

A modern twist on the Elizabethan portrait

Artist Caroline Smith reinterprets the traditional Elizabethan portrait by depicting women with ruffs and flowers in their hair. She uses this historical fashion element as a visual metaphor to represent the balance of delicacy and strength in femininity. The ruff, a symbol of status and formality in the Elizabethan era, contrasts with the wild and natural flowers, representing freedom and unbridled beauty. Her intention is to challenge women’s societal expectations and celebrate their multifaceted nature. 
 
These portraits convey the complexity, diversity, and beauty of women in a way that is both historically grounded and contemporary. Challenging the traditional, idealized portrayal of beauty Caroline embraces and celebrates the individuality and unique qualities of all women. Her objective, to inspire and empower all.

The Sisters I, II & III (Tryptch) – Each 62cm x 80cm
Approximate dimensions when hung together – 200cm x 80cm

The Sisters I (Tryptch) – Each 62cm x 80cm
Approximate dimensions when hung together – 200cm x 80cm

The Sisters II (Tryptch) – Each 62cm x 80cm
Approximate dimensions when hung together – 200cm x 80cm

The Sisters III (Tryptch) – Each 62cm x 80cm
Approximate dimensions when hung together – 200cm x 80cm

Grace – 62cm x 82cm
Presented in a hardwood bespoke floating tray frame with distressed 24k gold over black bold front facing edge with ebony recess.

Beatrice – 62cm x 82cm
Presented in a hardwood bespoke floating tray frame with distressed 24k gold over black bold front facing edge with ebony recess.

Dame Aux Papillons – 80cm x 104cm
Presented in a hardwood bespoke floating tray frame with distressed 24k gold over black bold front facing edge with ebony recess.

Oiseau Noir – 80cm x 104cm
Presented in a hardwood bespoke floating tray frame with distressed 24k gold over black bold front facing edge with ebony recess.

Vernal Equinox & Florice

A series of portraits that feature women with tribal markings on their faces, set against backgrounds of exotic flora. Caroline uses the imagery of tribal markings to represent the connection between the subject and their cultural heritage and identity. The use of exotic flora is a metaphor for the complexity and diversity of the subject’s character. The Tulips symbolize a delicate, yet resilient and determined spirit while the moth represents the subject’s connection to the natural world. Using vibrant colours, intricate patterns, and symbolic imagery, these paintings celebrate the beauty, strength, and diversity of all women.

Vernal Equinox – 94cm x 94cm
Presented in a hardwood bespoke floating tray frame with distressed 24k gold over black bol front facing edge with ebony recess.

Florice – 80cm x 104cm
Presented in a hardwood bespoke floating tray frame with distressed 24k white gold over terracotta front facing edge with ebony recess.

Blue Madonna
116cm x 146cm

Rebecca
60cm x 68cm

Salome Rapture – 126cm x 126cm SOLD
Presented floating in a bespoke solid wood, graphite finish frame.

Salome Passion – 126cm x 126cm SOLD
Presented floating in a bespoke solid wood, graphite finish frame.

Dame Aux Fleur Janes – 80cm x 104cm SOLD
Presented in a hardwood bespoke floating tray frame with distressed 24k white gold over terracotta front facing edge with ebony recess.

Simone II SOLD
100cm x 80cm

Yellow and Blue Lacroix (Diptych)
78cm x 100cm SOLD

Ghost Of The Forest – 60cm x 78cm SOLD

Lady with Red Bird
60cm x 68cm SOLD

Frida Jewelled Cross and Frida Sacred Heart (Diptych)
Each 80cm x 105cm SOLD

Veronique SOLD
100cm x 80cm

Dreamscape Red Poppy SOLD

Frida I – 63cm x 80cm SOLD